Dutch National Opera presents

Madama Butterfly Giacomo Puccini (1858-1924)

Tickets on sale
15 Jan 12:00

Emotive and expressive

Duration 2:50

Breaks 1

By Giacomo Puccini

Language Italian

Surtitles Dutch and English

Coolly stylised, Robert Wilson’s sublime staging of Puccini’s heartbreaking Madama Butterfly accentuates the tragic narrative in this revival of the enthusiastically received 2002 production.

Novella, play and opera

Puccini’s opera was adapted from David Belasco’s play Madame Butterfly, which in turn was based on the novella by John Luther Long and its sixteen-year old Japanese heroine, Cio-Cio-San (‘Butterfly’).

Harakiri

This is the true story of Cio-Cio-San, who marries the American marine officer Captain Pinkerton and has his child, only to be abandoned. The dramatic climax comes three years later, when Pinkerton and his new wife return to Japan to claim that child. Butterfly realises that what she believed to be a real marriage was merely an exotic adventure to Officer Pinkerton. Cio-Cio-San, alias Madama Butterfly, commits suicide by harakiri: ‘Better to die with honour’, she says, ‘than live with shame’.

East and West

Puccini’s composition, with its spellbinding counterpoint of East and West, interweaves leitmotifs evocative of Wagner with authentic Japanese melodies, which the composer studied extensively. Puccini himself considered Madama Butterfly to be his most emotive and expressive opera.

Wilson’s abstract aesthetic

Robert Wilson’s (direction, set and lighting) Madama Butterfly is abstract in its aesthetic and shuns sentimentality. Instead of pseudo-oriental kitsch and scuttling women, he recreates an authentically Asian dimension in how he renders time, with slow, minutely choreographed movements reminiscent of Japanese Nôh theatre. Wilson’s sublimely austere sets and costumes combine with powerful lighting that paints and sculpts the stage.

Musical director and cast

Jader Bignamini conducts at DNO for the first time.

The role of Cio-Cio-San is sung by Elena Stikhina (DNO debut), Suzuki by Enkelejda Shkosa (Zita in Gianni Schicchi, 2017) and Pinkerton by Gianluca Terranova (DNO debut).

Orchestra

Residentie Orkest The Hague
The Residentie Orkest has been around for over 100 years and is regarded as one of the renowned symphony orchestras of the Netherlands. While waiting to move in to the new cultural complex in The Hague, the orchestra is performing at the Zuiderstrandtheater (Scheveningen) and at pop temple Paard van Troje, as well as at other major venues in the Netherlands and abroad. The orchestra’s principal conductor and artistic advisor is the young Brit Nicholas Collon. Recent DNO productions: The nightingale and other short fables, The Gambler, Dialogues des Carmélites, The New Prince and La bohème.

Team, Cast and Chorus

Musical Director
Jader Bignamini
Stage director, set and light
Robert Wilson
Costumes
Frida Parmeggiani
Orchestra
Residentie Orkest The Hague
Chorus
Chorus of Dutch National Opera
Conductor
Ching-Lien Wu
Madama Butterfly (Cio-Cio-San)
Elena Stikhina
Suzuki
Enkelejda Shkosa
Kate Pinkerton
Anneleen Bijnen
F.B. Pinkerton
Gianluca Terranova
Sharpless
Brian Mulligan
Goro
Saverio Fiore
Il principe Yamadori
Tim Kuypers
Lo zio Bonzo
Carlo Cigni
Yakusidé
Harry Teeuwen
Il commissario imperiale
Opera Studio
L’ufficiale del registro
John van Halteren
La madre di Cio-Cio-San
Marieke Reuten
La zia
Tomoko Makuuchi
Cugina
Dana Ilia
    Wed 14 Feb Het Financieele Dagblad, 2002

    ‘Minimalist spin on Puccini classic dazzles with harmonious synergy of light, costumes and colour.’