Dutch National Opera presents
04 Jun 12:00
CINDERELLA À LA ROSSINI
In its first-ever staging at Dutch National Opera & Ballet, the exuberant fairy tale opera La Cenerentola (Cinderella) promises to be a fun-filled and unforgettable December performance to enchant the whole family. Special children’s ticket prices apply for La Cenerentola!
Directed by Laurent Pelly, La Cenerentola follows Angelina – Rossini’s Cinderella – as she discovers true love in the form of her prince. In a twist on the classic tale, she first has to overcome not a wicked stepmother, but an evil stepfather.
Though La Cenerentola doesn’t include the traditional pumpkin carriage or glass slippers, there are fancy dresses galore! As always, Laurent Pelly designs his own colourful costumes.
Signature elements are Rossini’s lively ensembles and demanding solos with dizzying coloratura (runs) particularly for Angelina – a.k.a. Cinderella – and her fairy tale prince, Don Ramiro.
The world première (1817) of La Cenerentola in Rome during carnival season ended in a fiasco. The singers baulked at the difficult score and their performance failed to impress the audience. But Rossini was undaunted: ‘Idiots! Before the carnival is over, all Rome will love her…’ He was right. The opera swiftly became a runaway success in Italy and beyond. After the composer’s death, La Cenerentola disappeared from the stage, but after 1920 it enjoyed resurging popularity.
Team and cast of La Cenerentola
Perfect comedic pitch
A high-spirited and light-hearted ‘dramma giocoso’ (comic drama) like La Cenerentola is in good hands with director Laurent Pelly. Known for his perfect comedic pitch, he won rave reviews for his L’amour des trois oranges and L’étoile at DNO. His poetic visual language guarantee a spellbinding show. Conductor Daniele Rustioni and mezzo soprano Isabel Leonard in the role of Angelina both make their DNO debut. Previously also appearing in Rossini repertoire at DNO are acclaimed tenor Lawrence Brownlee, bass Roberto Tagliavini and soprano Julietta Aleksanyan.
Netherlands Philharmonic Orchestra|Netherlands Chamber Orchestra
The Netherlands Philharmonic Orchestra|Netherlands Chamber Orchestra has been the principal partner of Dutch National Opera for more than 30 years and is among the world's best opera orchestras.
The Concertgebouw in Amsterdam is the orchestra’s primary venue. Besides programmes led by chief conductor Marc Albrecht and Gordan Nicolic (musical director of the Netherlands Chamber Orchestra), it also has various collaborations with internationally renowned guest conductors and soloists, as well as budding stars of the next generation of musicians. The orchestra seeks to make the classical repertoire accessible to everyone, performing not only in concert halls but also a range of unusual and more adventurous venues. By bringing people together through music, the orchestra creates beautiful and memorable musical experiences for all, from classical aficionados to new audiences.
With its home base in the NedPhO-Koepel, a former church in Amsterdam's culturally diverse Indische Buurt, the orchestra plays a vital role in the community. Each year it organises some two hundred activities around music education, neighbourhood participation and talent development.
In the 2019-2020 season, the Netherlands Philharmonic Orchestra is playing in the DNO productions of Pagliacci I Cavalleria rusticana, Die Walküre, Aufstieg und Fall der Stadt Mahagonny and Die Frau ohne Schatten. The Netherlands Chamber Orchestra is playing in Così fan tutte and La Cenerentola.a.
Chorus of Dutch National Opera
Dutch National Opera's own chorus consists of 50 singers, regularly augmented with freelance members for large productions. The Chorus has an impressive record with milestones including opera productions of Saint Francois d’Assise, Lady Macbeth of the Mtsensk District, Ercole amante, Boris Godoenov, La Juive, Les Troyens, Eugene Onegin, Parsifal, Guillaume Tell, The Legend of the Invisible City of Kitezh, Faust, La forza del destino, Das Flos der Medusa, Oedipe and Tannhauser, and concerts of Der fliegende Hollander in Rotterdam, Paris and Dortmund and Daphnis et Chloe with the Royal Concertgebouw Orchestra conducted by Valery Gergiev. Under the artistic direction of Ching-Lien Wu since 1 September 2014, in 2016 the authoritative Opernwelt magazine named the DNO Chorus the Best Opera Chorus of the year. In the 2019-2020 season the Chorus is singing in Pagliacci |Cavalleria rusticana, Così fan tutte, La Cenerentola, Nabucco, Aufstieg und Fall der Stadt Mahagonny, Die Frau ohne Schatten, Carmen and Rusalka.
Coproduction with Grand Théâtre de Genève and Santa Fe Opera
'Dramma giocoso' in 2 acts
25 January 1817
Teatro Valle Rome
Team, Cast and Chorus
- Muzikale leiding
- Daniele Rustioni
- Regie en kostuums
- Laurent Pelly
- Chantal Thomas
- Duane Schuler
- Netherlands Chamber Orchestra
- Chorus of Dutch National Opera
- Chorus Master
- Ching-Lien Wu
- Don Ramiro
- Lawrence Brownlee
- Julietta Aleksanyan-De Nationale Opera Studio
- Isabel Leonard
- Roberto Tagliavini
- Alessio Arduini
- Don Magnifico
- Nicola Alaimo
- Annunziata Vestri
Mo 11 November La Cenerentola
Musical evening giving an accessible, in-depth explanation of operas and ballets.
NB: In principle, the foyer evenings are given in Dutch, but in practice the high number of international guests means that English is often spoken as well.
Step into the world of the makers. Sit back with a drink in an informal setting and enjoy an aria or duet, a pas de deux or small ensemble, or an interview with a singer or choreographer. A varied programme, linked to a topical theme, is presented for each production.
The doors and the bar open at 20.00. The evening begins at 20.30 and lasts around an hour and a quarter. The bar will stay open afterwards.
Regular - € 10
Students - € 7.50
Free for Giving Circle members of Dutch National Opera, Dutch National Ballet and Dutch National Opera & Ballet
Prices are exclusive of booking charges. Tickets for performances can be purchased separately
'Praise be Pelly, king of all directors'
‘Everything literally rolls along under the Laurent Pelly’s direction.’