Dutch National Opera presents

Pagliacci / Cavalleria rusticana RUGGERO LEONCAVALLO (1857-1919) / PIETRO MASCAGNI (1863-1945)

Theatre or real live

Duration 3:00

Breaks 1

By RUGGERO LEONCAVALLO / PIETRO MASCAGNI

Language Italian

Surtitles Dutch and English

Pagliacci and Cavalleria rusticana are the most famous twins in opera history. Packed with love, infidelity, betrayal, jealously and murder, these two pinnacles of the Italian opera repertoire have it all.

Hot-headed

Pagliacci (‘Comedians’) and Cavalleria rusticana (‘Rustic chivalry’) are both classic examples of verismo operas, telling so-called realistic stories about the lives of ordinary people. Here, hot-headed southern temperaments spark off rivalries and threaten relationships. Whereas Pagliacci is fuelled by the tension between everyday life and the aesthetic world of the stage, Cavalleria rusticana juxtaposes unbridled passion against profound faith. Director Robert Carsen flips tradition by opening with Pagliacci.

 

Team

Robert Carsen and Sir Mark Elder

Director Robert Carsen made waves in Amsterdam and beyond with Dialogues des Carmélites, Fidelio, Carmen (returning this season) and Falstaff, and also set the stage for Dutch National Opera’s 50th anniversary Gala. Sir Mark Elder previously conducted DNO’s productions of Pelléas et Mélisande (1996) and Benvenuto Cellini (2015).

We are the drama

Carsen plays a masterful game of theatre-in-theatre, calling into question the nature of reality. Are the emotions we see on stage acted, or authentic? And in how far do we project ourselves into the characters? When the masks come off, truth becomes theatre and theatre becomes truth. Poised somewhere in between is the chorus, navigating us through the worlds of fact and fiction. As the playwright Luigi Pirandello once said, ‘The drama is inside us; we are the drama’. Carsen’s vision eshews clichés: no commedia dellarte characters in this Pagliacci, nor Sicilian couleur locale in his Cavalleria rusticana.

Robert Carsen en Sir Mark Elder
Regisseur Robert Carsen maakte in Amsterdam en daarbuiten veel indruk met Dialogues des Carmélites, Fidelio, Carmen (dit seizoen in reprise) en Falstaff. Ook gaf hij visueel vorm aan het Gala ter gelegenheid van 50 jaar DNO. Sir Mark Elder dirigeerde bij De Nationale Opera Pelléas et Mélisande (1996) en Benvenuto Cellini (2015).

 

Robert Carsen

Director

With Dutch National Opera, the Canadian director Robert Carsen has staged Dialogues des Carmélites, Fidelio, Carmen and Falstaff.

Sir Mark Elder

Conductor

SIR MARK ELDER (musical director) is Director of Music with the Hallé Orchestra, Principal Artist with the Orchestra of the Age of Enlightenment and Artistic Director of Opera Rara. He has made regular appearances at prominent international opera houses like Covent Garden, Metropolitan Opera, Opéra National de Paris and Lyric Opera of Chicago and at the Glyndebourne and Bayreuth festivals.

Pagliacci
'Dramma' in 2 acts

Libretto
Ruggero Leoncavallo

World premiere
21 May 1892
Teatro Dal Verme
Milaan

Cavalleria rusticana
'Melodramma' in 1 act

Libretto
Giovanni Targioni-Tozzetti
en Guido Menasci

World premiere
17 May 1890
Teatro Costanzi
Rome

Team, Cast and Chorus

Musical Director
Sir Mark Elder
Stage Director
Robert Carsen
Set Designer
Radu Boruzescu
Costume Designer
Annemarie Woods
Lighting Designer
Robert Carsen
Peter Van Praet
Dramaturgy
Ian Burton
Orchestra
Nederlands Philharmonisch Orkest
Chorus
Koor van De Nationale Opera
Chorus Master
Ching-Lien Wu
Children's Chorus
Nieuw Amsterdams Kinderkoor
PAGLIACCI
Nedda
Ailyn Pérez
Canio
Brandon Jovanovich
Tonio
Roman Burdenko
Peppe
Marco Ciaponi
Silvio
Mattia Olivieri
CAVALLERIA RUSTICANA
Santuzza
Anita Rachvelishvili
Lola
Rihab Chaieb
Turiddu
Brian Jagde
Alfio
Roman Burdenko
Lucia
Elena Zilio

Orchestra

Netherlands Philharmonic Orchestra|Netherlands Chamber Orchestra

The Netherlands Philharmonic Orchestra|Netherlands Chamber Orchestra has been the principal partner of Dutch National Opera for more than 30 years and is among the world's best opera orchestras.The Concertgebouw in Amsterdam is the orchestra’s primary venue. Besides programmes led by chief conductor Marc Albrecht and Gordan Nicolic (musical director of the Netherlands Chamber Orchestra), it also has various collaborations with internationally renowned guest conductors and soloists, as well as budding stars of the next generation of musicians. The orchestra seeks to make the classical repertoire accessible to everyone, performing not only in concert halls but also a range of unusual and more adventurous venues. By bringing people together through music, the orchestra creates beautiful and memorable musical experiences for all, from classical aficionados to new audiences. With its home base in the NedPhO-Koepel, a former church in Amsterdam's culturally diverse Indische Buurt, the orchestra plays a vital role in the community. Each year it organises some two hundred activities around music education, neighbourhood participation and talent development. In the 2019-2020 season, the Netherlands Philharmonic Orchestra is playing in the DNO productions of Pagliacci I Cavalleria rusticana, Die Walküre, Aufstieg und Fall der Stadt Mahagonny and Die Frau ohne Schatten. The Netherlands Chamber Orchestra is playing in Così fan tutte and La Cenerentola.

 

Chorus

Chorus of Dutch National Opera

Dutch National Opera's own chorus consists of 50 singers, regularly augmented with freelance members for large productions. The Chorus has an impressive record with milestones including opera productions of Saint Francois dAssise, Lady Macbeth of the Mtsensk District, Ercole amante, Boris Godoenov, La Juive, Les Troyens, Eugene Onegin, Parsifal, Guillaume Tell, The Legend of the Invisible City of Kitezh, Faust, La forza del destino, Das Flos der Medusa, Oedipe and Tannhauser, and concerts of Der fliegende Hollander in Rotterdam, Paris and Dortmund and Daphnis et Chloe with the Royal Concertgebouw Orchestra conducted by Valery Gergiev. Under the artistic direction of Ching-Lien Wu since 1 September 2014, in 2016 the authoritative Opernwelt magazine named the DNO Chorus the Best Opera Chorus of the year. In the 2019-2020 season the Chorus is singing in Pagliacci |Cavalleria rusticana, Così fan tutte, La Cenerentola, Nabucco, Aufstieg und Fall der Stadt Mahagonny, Die Frau ohne Schatten, Carmen and Rusalka.

 

Children's chorus

Nieuw Amsterdams Kinderkoor

The Nieuw Amsterdams Kinderkoor is the regular children's chorus of Dutch National Opera & Ballet and part of Nieuw Vocal Amsterdam, a classical voice training programme for ages 4 to 21. In the 2019-2020 season the Nieuw Amsterdams Kinderkoor is singing in the operas Pagliacci, Die Frau ohne Schatten and Carmen and the ballet Nutcracker & Mouse King. The chorus also will be performing during the Open Day and Children's Chorus Festival. 

    Tue 05 Feb Robert Carsen - NRC about Il Trittico, 1996

    "As Carsen, in particular, has proven over the past few years, directing is mainly about intellectual and dramaturgical preliminary work: developing a vision of the action and, together with the set designer, finding images to give shape to it."

    Tue 05 Feb Mark Elder - Operamagazine 2016

    "That Mark Elder has an affinity with French opera is something everyone who experienced his spectacular vision of Berlioz' Benvenuto Cellini last season in Amsterdam knows. I have never heard the score with so much attention to detail, so many colours and so much nuance performed before. Under his leadership, the Rotterdam Philharmonic was so perfectly balanced that you could sometimes hear it whisper." Translated with www.DeepL.com/Translator

    Tue 05 Feb Robert Carsen - Het Parool 2015

    "Dialogues des Carmélites by Poulenc and director Robert Carsen, performed by Dutch National Opera, is truly a miracle of God. (...) Very strong and rarely intelligent.'