Guest programming
Helstone in Het Pand der Goden
Dates
17 – 18 September 2026
Location
Dutch National Opera & Ballet, Studio Boekman
Running time
TBA
Tickets
From € 15
The story behind the first Surinamese opera
What does it mean to create an opera on Surinamese soil, shaped by European classical traditions and rooted in Surinamese stories? Theatre maker Mathieu Wijdeven takes you into the world of the first Surinamese opera, Het Pand der Goden (The Gods’ Domain, 1906), written by Johannes Helstone and featuring scenography by Wijdeven’s own great-great-grandfather, G.G.T. Rustwijk. This work disappeared from view immediately after its premiere and was not performed again until 118 years later, provoking widely differing reactions.
In this new music theatre production, Wijdeven joins forces with opera singer Frank Dolphin Wong and pianist Djuwa Mroivili to explore what Het Pand der Goden can mean to us today. As narrator, he delves into both the story of the opera and the story behind it, while Dolphin Wong and Mroivili perform a selection of its moving arias.
Performance information
Direction, concept, performer, text, set design Mathieu Wijdeven
Composer Johannes Nicolaas Helstone
Musician, performer Djuwa Mroivili
Singer (baritone), performer Frank Dolphin Wong
Co-director Lisenka Heijboer Castañón
Dramaturgy and writing consultant Maarten van Hinte
Dramaturge Jappe Groenendijk
Co-set design and lighting design Scott Robin Jun
Acoustic scenography, sound artist Aurélie Nyirabikali Lierman
Costume design Denzel Veerkamp
3D design Gertjan Ruigrok
Props manager Fay van Erp
Education & participation Anne Sollie
Marketing & communications Marloes Reuderink
Production manager Ibtisam Boucheloukh
Technical producer Peter Leeuwenburgh
Technical crew Arjen Fortuin, Axel Dikkers, Sidney van Geest, Jimmy Niesen, Thijs van den Bergh, Martijn Huisman, Marijn van Engelen
Interviewees Astrid Helstone, Isabelle Best, Ivar Mase, Marjory Helstone, Ruby Fernandes, Stefano Parana, Stephanus Tokoe, Terence Panka, Edwien Bodjie
Special thanks to Theater Thalia, Royal Concertgebouw Orchestra, Judith van Wanrooij, Djina Bergraaf-Sanchit, Dave Edhard, Karin Lachmising, Conservatory of Suriname
Inspired by the set design of G.G.T. Rustwijk
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Podcast
How did this production grow from its first ideas into a full-scale performance? In this Dutch-language podcast, creator Mathieu Wijdeven discusses the creative process, the sources of inspiration behind the work and the significance of Johannes Nicolaas Helstone to the production. He also reflects on how the project developed from presentations at TR and O. Festival Rotterdam to its premiere at Oerol and the subsequent tour of theatres across the Netherlands.