Missa in tempore belli

Haydn’s Missa in tempore belli is also known as the Paukenmesse (kettledrum mass) because of the dramatic use of timpani, a theatrical touch that is unusual for a mass.

In an unusual twist Dutch National Opera is presenting the mass in a fully staged version. Director Barbora Horáková reveals the flipside of the steadfast faith that runs through every note of Haydn’s mass, poignantly portraying individuals who suffer under the heavy burden of a narrowminded, one-sided ideology.

Swiss-Israeli electronic composer Janiv Oron responds to Haydn’s music with beats and sound effects, all created live. These extra sound worlds offer a counterbalance to the religious conviction articulated by the Missa.

Major role for the Chorus, soloists and dancers

The Missa has a starring role for the wonderful Chorus of Dutch National Opera. Up-and-coming tenor Mingjie Lei makes his DNO debut. This production also marks the return to the stage of mezzo-soprano Polly Leech, an alumna of our own Dutch National Opera Studio.

The Spanish choreographer Juanjo Arqués, who is closely connected with Dutch National Ballet, is creating a choreography for nine dancers, thus giving physical expression to the contrasts that are central to the direction.