And you must suffer St. John Passion
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Poetry coupled with the story of the Passion
A new, special adaptation of the St John Passion by Johann Sebastian Bach. A production of Muziektheater Transparant as part of the Opera Forward Festival 2017. In co-operation with Dutch National Opera, B'Rock Orchestra and Cappella Amsterdam.
J.S. Bach’s St John Passion is the shorter, but no less powerful counterpart to his St Matthew Passion. What is the significance of this well-known story of the suffering and death of Christ today, in 2017? In And you must suffer, Pierre Audi places the St John Passion in an austere setting, based on images by artist Wim Delvoye. The production reflects on the role of religion, suffering and pity in our times of increasing religious and cultural tension.
On the one hand, the story of the Passion is traditionally an ode to God through Christ’s suffering. On the other, it is a terrible story of a man hounded to his death by an angry mob and a leader who knows he’s got it wrong but won’t give in. In And you must suffer, the Palestinian-Israeli composer Samir Odeh-Tamimi and the Flemish composer Annelies van Parys give a commentary on Bach in new music. Odeh-Tamimi places a new work in the middle, which contrasts with Bach’s music. His composition poses questions and gives comments. At the beginning and end, Van Parys creates a monologue starting in silence, as a reflection on what has happened or is still to come. The austere setting created by Pierre Audi links everything together and an extra layer is added through the video images by Mirjam Devriendt.
And You Must Suffer is thus a contemporary reflection on identity, on religion and its claim to the truth, and on the suffering and pity in this world.
Director Pierre Audi has been the artistic director of Dutch National Opera since 1988 and is renowned for his vision and daring. He has directed a great many productions to international acclaim. His production of Wagner’s monumental Ring cycle is considered one of the most exciting opera productions in recent years. Audi is a great ambassador of new opera repertoire, and aims to convey a contemporary message in his productions.
Pierre Audi: ‘The St John Passion is a dramatic oratorio. It has an almost Shakespearean dimension, which it acquires through the attitude of the three key figures: Christ, St Peter and Pontius Pilatus. The latter two are doubting characters. They are both uncertain’.
The Palestinian-Israeli composer Samir Odeh-Tamimi left for Germany at the age of twenty-two. His culturally diverse background influences his musical style, which combines traditional Arab sounds with modern Western styles.
Production: Muziektheater Transparant and B’Rock Orchestra in coproduction with Nationale Opera, Klarafestival, Kaaitheater, De Munt/La Monnaie, Wroclaw National Forum of Music and Polish Institute. Met een compositieopdracht aan Samir Odeh-Tamimi door Klarafestival/Flanders Festival Brussels en een compositieopdracht aan Annelies Van Parys door Muziektheater Transparant. With a composition commissioned from Samir Odeh-Tamimi by Klarafestival/Flanders Festival Brussels and from Annelies Van Parys by Muziektheater Transparant.
Team, Cast and Chorus
- Director (mise-en-espace)
- Pierre Audi
- Musical direction
- Andreas Spering
- Wim Delvoye
- Scenography, costume design
- Roel Van Berckelaer
- Video design
- Mirjam Devriendt
- Lighting design
- Peter Quasters
- Cappella Amsterdam
- Jakob Pilgram
- Dominik Köninger
- Grace Davidson
- Benno Schachtner
- Magnus Staveland
- Tomáš Král